4) Postmodernism as a movement took hold in the 1970’s. It began as a backlash from Modernist subjectivity and detachment from societal hardship, politics and the general populace as the realities of the Vietnam War became apparent. A great example of Modernism’s dissociation of the people would be Le Corbusier’s Unite d’Habitation, 1946-52. Unite was to be a new, sparse approach to mass-housing, however within months of opening, it’s avant-garde design gave way to an ill-designed slum.
With the rise of Civil Rights Activism and second-wave Feminism at it’s peak, Postmodernism embraced the politics of the era and is one of the pinnacle art movements of action and protest. Postmodernism also rejected Modernism’s assertion of the artist as a singular rather than a collective power/movement. In concerns of material and technique, Postmodernist thoroughly embraced Duchamp’s readymade to connect with everyday life. Feminists reclaimed their bodies from there solitary purpose as muse in traditional art.
Both artist’s and critics would commonly agree that Postmodernism has ended. However the grey area persists on when and how it did, and if in fact we have moved onto or passed the Post-Postmodern era.
Barbara Kruger, 1989
Orlan, pre-operation, The Reincarnation of Saint Orlan, 2000-2003
Ana Mendieta, Silueta Works in Mexico, 1973-1978
Postmodern Critics:
Aldo Rossi
Helene Cixous
Dave Hickey
Michael Foucault
Griselda Pollock
Umberto Ecco
Howard Risatti
Jorge Luis Borges
Postmodern Artists:
Barbara Kruger
Yoko Ono
Tom Friedman
Phillip Taaffe
Orlan
Ana Mendieta
Carolee Schneemann
Yves Klein
Michael Graves
Charles Moore
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